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On the originally prepared artwork, the writing for the top of the album cover read "In the land of the dark, the ship of the sun is drawn by the Grateful Dead", a passage taken from the Egyptian Book of the Dead. The second CD was released on vinyl as a stand-alone double LP on Record Store Day 2017. This edition was given a new version for the album's 50th anniversary in 2017, including a second CD featuring live material from a pair of July 1966 concerts in the Garden Auditorium, Vancouver, Canada. The 2013 high-definition digital, remastered release features the edited versions, as originally released, of the four tracks which were extended for the 2003 Rhino release. The album was reissued for Record Store Day 2011 on 180g vinyl cut from the original analog/mono masters from 1967 – the first time in over 40 years it had been released in this form. Millionaire" was inspired by an autumn 1966 newspaper headline "LSD Millionaire", about the Dead's sound engineer and benefactor Owsley Stanley. In an era where true authorship (or public domain status) was more difficult to ascertain, "Cold Rain and Snow" and "New, New Minglewood Blues" were originally credited as band compositions, though they were adaptations of existing songs.Ī remastered version with the full versions of five album tracks, plus six bonus tracks, was released by Rhino as part of the box set The Golden Road (1965–1973) in 2001, and as a separate album in 2003. The name was a misrendering of "Skujellifeddy", a character in Kenneth Patchen's comic novel The Memoirs of a Shy Pornographer, plus the name of then-frontman Pigpen's cat. The band used the collective pseudonym "McGannahan Skjellyfetti" for their group-written originals and arrangements. is introducing the Grateful Dead to the world." The label's A & R manager, Joe Smith, is noted for saying he " proud that Warner Bros. held an album release party on Maat the Fugazi Hall in North Beach. The freeform FM radio format that favored bands like the Dead was still developing. Though the album was considered "a big deal in San Francisco", it did not see much airplay on AM radio stations outside of the Bay Area. We were still learning how to be a band." Phil Lesh comments in his autobiography, "to my ear, the only track that sounds at all like we did at the time is Viola Lee Blues.None of us had any experience with performing for recording.the whole process felt a bit rushed." Bill Kreutzmann, in his autobiography, says of the songs, "their recorded versions failed to capture the energy that we had when we performed them live.We weren’t that good yet. Due to demands by the band's label, Warner Brothers, four of the tracks were edited for length. The group picked David Hassinger to produce because he had worked as an engineer on the Rolling Stones' " (I Can't Get No) Satisfaction" and Jefferson Airplane's Surrealistic Pillow album (on the latter of which Jerry Garcia had guested and suggested the album title).
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The band had wanted to record the tracks in their hometown of San Francisco, but no recording studios in the area had modernized equipment at the time. The album was primarily recorded at RCA's Studio A, in Los Angeles, in only four days. According to the biographies of both bassist Phil Lesh and drummer Bill Kreutzmann, the band released the album as San Francisco's Grateful Dead. The Grateful Dead is the debut studio album of the Grateful Dead.
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"The Golden Road (To Unlimited Devotion)".